|
Writer/Director
|
Sarah Goodman
|
|
Producers
|
Arlene Ami
Sarah Goodman
Erik Paulsson
|
|
Consulting Producer
|
Brad Lichtenstein
|
|
Editor
|
Caroline Christie
|
|
Camera
|
Andy Bowley
Alexandra Martinez Kondracke
|
|
Music & Sound Supervisor
|
Daniel Pellerin
|
|
Music Composers
|
Mark Stewart
Paul Watson
|
|
Sound Design
|
Alison Clark
|
| Associate Producer |
Anneli Ekborn |
|
Production Managers
|
Arlene Ami
Sarah Goodman
|
| Location Sound |
Richard Mandin
Whit Norris |
| Additional Camera |
John Bergmann
Roberto Espinosa
Sarah Goodman
Rod Lamborn
John McKinney
Anniliese Paull
Andrew Ravani
|
| Additional Location Sound |
Jeremy Berger
Mic Davies |
| Post Production Supervisor |
Judi Babcock |
| Assistant Editors |
Ryan J. Noth
Richard Mandin |
| Sound Effects Editor |
Alison Clark |
| Dialogue Editor |
Elma Bello |
| Music Editor |
Mark Stewart |
| Foley Artists |
Diana Ejbre
Stefan Fraticeli |
| Foley Recordist |
Brian Schwarz |
| Assistant Sound Editor |
Alyson Fuller |
| Re-Recording Mixers |
Daniel Pellerin
Dwayne Newman |
| Sound Studio Co-ordinator |
Shari Cain |
| Sound Studio Operator |
Steve Budd |
| Mixing Facilities Provided by |
Film Sound One, Toronto |
| Picture Post Provided by |
Eyes Post Group, Toronto |
| Online Editor |
Greg Innes |
| Colourist |
Joanne Rourke |
| Archival Research |
Paula Sawadsky |
| Archival Research Assistant |
Lea Moss
Jeff Carter |
| Stills Photographer |
Malcolm Linton
Jason DaSilva |
| Graphic Design |
Paul Watson |
| Web Design |
Colleen Slocombe |
| Transcription |
Darba Wakefield |
| Lawyers |
John Festinger
Ori Kowarsky |
| Insurance Broker |
Judi Heron |
| Production Accountant |
Sherrill Sirrs |
Produced with the financial participation of
Produced in association with
Produced by Fovea Productions and Red Storm Productions
|
